Booting with: In: ASIO : ASIO4ALL v2 Out: ASIO : ASIO4ALL v2 Sample rate: 44100.000 Latency (in/out): 0.016 / 0.016 sec SC_AudioDriver: sample rate = 44100.000000, driver's block size = 64 SuperCollider 3 server ready o.outDevice_("Windows WASAPI : Speakers"); Audio is unaffected in other applications prior to opening SuperCollider (e.g., Audacity, Spotify, Facebook, YouTube). The default is 1024. It is a virtual ASIO driver, communicating with the soundcard using Windows' native APIs. Specific devices can be selected through an instance of ServerOptions. Use a web search engine to find a download link. 概要SuperColliderだと標準のオーディオ・インターフェースならばs.bootするだけで良いのだが、その他のオーディオ・インターフェースの選択の方法がわからなかったので、調べてみた。 Komplete Audio 6から出力す Nick Collins' Website SuperCollider tutorial Also available as a downloadable zip of RTF, HTML and text files: sctutorial.zip Shortcuts: 1. that can be used to communicate with audio devices. The output file sample-format should be … they're used to gather information about the pages you visit and how many clicks you need to accomplish a task. The FIR Decimation block resamples the discrete-time input at a rate K times slower than the input sample rate, where K is the integer value you specify for the Decimation factor parameter. "open -a 'Audio MIDI Setup'".unixCmd; // execute this to launch it, Now you need to tell SuperCollider to use your new aggregate device.Server.default.options.device = "Aggregate Device"; //or the name you have specified in the previous step. 2: Input 1 2: Output 3 3: Input 2 3: Output 4 4: Private 1 4: Input 1 5: Private 2 5: Input 2 etc. Not all sample and header formats are compatible. SuperCollider is a real time audio synthesis programming language. To do it manually, it would take me forever. SuperCollider has documentation in the HTML format available in the supercollider-doc package. Extracting the sample rates is easy enough with a bit of regex fu: The downside here is that this extra level of detail is not available on OSX 10.6 as it doesn't print the "Devices:" information which is a shame. ... Fails on invalid input or if the server is running. Dialog parameters — Enter information about the filter, such as structure and coefficients, in … You can limit the report to audio information only by running system_profiler SPAudioDataType which outputs the following on my machine (OSX 10.8.5), (You can get PList xml output by passing the -xml flag to system_profiler but it doesn't appear to be as detailed and is much more difficult to parse). Is there a way to check the sample rate using python. For more information, see our Privacy Statement. . Two things I noticed whilst looking at the boot_server_osx method. If input-filename is the underscore character _, then no input file will be read. actualSampleRate A floating-point number representing the current hardware sample rate, which may drift. We have now: Successfully merging a pull request may close this issue. I hope this helps to get the issue resolved, and it will also apply to similar issues regarding boot for Overtone. In Supercollider, data is played as it is generated. Its default value is 64 though it can be set to any value between 4 and 256. Umwandeln können Sie Sampleraten ganz leicht: Wir zeigen Ihnen, … PlayBuf sample playback oscillator Plays back a sample resident in memory. This reference provides information on audio device selection, including platform-specific details. SuperCollider is a real time audio synthesis programming language. This tour covers many, but not all of them. For more detail on this subject see Order of execution, Default Group, and Node Messaging.. See SoundFile for information on the various sample and header formats. The categories of unit generators: sources Oder Sie möchten Audiodateien mit einer Hard- oder Software verwenden, die diese Samplerate nicht unterstützt. We aren't capturing the output of the scsynth boot command, presumably because we'd like it to be non-blocking and running in the background whilst we boot the other concerns. I think finally we can put this issue to bed. But I cannot access any p I've not been able to confirm it but I think this should work on 10.7 and 10.9. I've not really done any CoreAudio programming so I'm unsure of the specific command but there are a couple of projects that appear to do similar things: Another option would be to use the coreaudio gem from https://github.com/nagachika/ruby-coreaudio but this would be adding another dependency which is not ideal just before a release. Purpose and Motivation On Windows, scsynth was not able to select separate input and output devices (it accepted only single device name and tried to use it as both input … Learn more. Millions of developers and companies build, ship, and maintain their software on GitHub — the largest and most advanced development platform in the world. ServerOptions.inDevices; // input devices However, once Booting with: In: ASIO : ASIO4ALL v2 Out: ASIO : ASIO4ALL v2 Sample rate: 44100.000 Latency (in/out): 0.016 / 0.000 sec. Bug fix: remove hardcoded default sample rate 44100 on scsynth with PortAudio on Windows (it will boot to hardware's sample rate by default) this resolves booting when the API doesn't allow changing SR and SR was not specified Input sample D+1 (row D+1 of the input matrix) appears in the output as sample M i +1, followed by input sample D+1+K, input sample D+1+2K, and so on. There aren't any built in command line tools that I've found that will allow this. // Boot the server s.boot; // … At this point you will see the ASIO4ALL options appear in your system, it is a green square with a white triangle. I have over a thousand audio files and I want to check if their sample rate is 16kHz. A Tour of available Unit Generators. On a Mac, SuperCollider will refuse to boot if there's a mismatch between the sample rate for the input device (usually the built in microphone) and the sample rate for the output device (usually the built in speakers). If you want to explicitly tell the server to use the internal soundcard, you need to specify both input and output device. The other thing I noticed is that SuperCollider seems to "fix" the sample rate somehow after failing once, so that booting the server again immediately afterwards the input sample rate is then set to the value of the output sample rate. Sampling can be done for functions varying in space, time, or any other dimension, and similar results are obtained in two or more dimensions. Image from Sony In this article, we will cover the fundamentals of sample rate and bit depth along with their impact on … An illustration of granular synthesis, using SuperCollider’s TGrains unit-generator. The code to write these files is open and available in the SuperCollider language app. this must be a fixed integer. The check for sample rates only works on OSX 10.7 and later as Sign up for a free GitHub account to open an issue and contact its maintainers and the community. 0: Output 1 0: Output 1 1: Output 2 1: Output 2 2: Input 1 2: Output 3 3: Input 2 3: Output 4 4: Private 1 4: Input 1 5: Private 2 5: Input 2 etc. Once the sample rate for both speaker (output device) and microphone (input device) have been changed to the same value, go back to Audition, you should be able to start recording sound now. MP3 sample rate does not affect file size much (or at all if you use Constant Bit Rate) so I suggest you just choose 24000 Hz. "SC_JACK_DEFAULT_OUTPUTS".setenv("system"); By default the server will boot to your system's default audio devices using MME driver (which usually means higher latency). You should set both input and output devices' sample rate to the same value. Here is a list of valid sample rate/bit rate combinations for MP3. An integer representing the nominal sample rate of the server; in other words, the sample rate that was requested of the server when it was booted. (Soon a live input will take the The output file's sample rate is specified by sample-rate. That said, the C++ code involved can be found fairly easily by grepping the SuperCollider Source Code for the string "input and output sample rates do not match". Re: Maximum Digital Sample Rate possible (3 digital inputs)? The maximum sample rate of an algorithm is determined only by its recursive parts according to Theorem 6.2 [9, 23, 24].Nonrecursive parts of the signal-flow graph (e.g. (The example is based on code in the TGrains helpfile.) Windows 10 also provides us the audio recording software, the Voice Recorder, which you can use to record audios and music in Windows 10 without any fee. If you count the unary and binary operators, there are over 300. There are pros and cons to each approach so I'm going to detail what I've found to help @samaaron and everyone else to make an informed decision. macOS provides a way to combine multiple physical devices into a virtual Aggregate Device. It might provide better performance with built-in soundcards and it should allow for multichannel operation with such devices (if supported by the hardware). In the code above I've added a couple of defensive programming things to make sure the command will fail gracefully by returning 0 if the information isn't available. Sound Synthesis 1: Additive, Subtractive, Modulation 3. Learn more, We use analytics cookies to understand how you use our websites so we can make them better, e.g. Have a question about this project? Die Samplerate müssen Sie immer dann konvertieren, wenn Sie Audiomaterial mit unterschiedlicher Abtastfrequenz zusammenführen möchten. This manual page documents briefly the scsynth command, the audio server of SuperCollider. The output file's sample rate is specified by sample-rate. The number of audio rate busses, which includes input and output busses. Sequencing The easiest way I've found to detect sample rates automatically on OSX is to use the built in system_profiler command. The output file header-format should be one of: AIFF Booting with: In: ASIO : ASIO4ALL v2 Out: ASIO : ASIO4ALL v2 Sample rate: 44100.000 Latency (in/out): 0.016 / 0.000 sec At this point you will see the ASIO4ALL options appear in your system, it is a green square with a One possible reason why a server may fail to boot is a mismatch between input and output devices' sample rates, which may occur when using a different device for input and output (which is the case when using a Mac's internal soundcard). to set the client name to register with JACK: to use a specific JACK server, as well as set the client name: If you need to specify the device, you will need to do so for both input and output (setting both, Both input and output device needs to use the same API (listed before the name, for example. なんか output の sample rate がどうの言ってます。 解決方法 1. iMacのAudio MIDI設定を開く 2. ここで出力を選択し、フォーマットを選択 3. 入力と同じフォーマット(今回は44.1kHz)を選択 以 … On Windows there are multiple audio driver APIs (e.g. to your account. The hardware sample rate converter is turned off if the input stream is encoded. To access ServerOptions instance of the default server, you can use Server.default.options. I have a very short sample file, which plays via a Synth in the following loop. If you are using an internal soundcard or a device which does not come with an ASIO driver, an alternative is to use ASIO4ALL. When the server is compiled to use JACK as the audio backend, the ServerOption's device can be used in two ways: A nil device is equivalent to Server.default.options.device = "default:SuperCollider"; The JACK connections can be configured via the environment variables SC_JACK_DEFAULT_INPUTS and SC_JACK_DEFAULT_OUTPUTS. If ASIO driver is available, it is probably the best choice to ensure low input/output latency. Timestamped messages will maintain consistent latency over long sessions, but may not be perfectly sample-accurate. I work with audio using an external audio usb interface running at 44.1k. they're used to log you in. 1.録音データによる音声認識 さてさて、音声認識の第二弾です。 60爺、前回は、マイクからの音声入力を行って、Juliusを動かしましたが、今度は、録音したファイルを入力にして、音声認識を行ってみます。 (1) 前準備 ファイルの入力を行う By default, SuperCollider on Linux uses JACK, and the audio device selection is managed by the JACK server. The definition of hi-res audio states that any music file recorded with a sample rate and bit depth higher than 44.1kHz/16-bit is considered high definition (HD) audio. Fully adjustable sample rate (192k+) and block size 32-bit float signal chain Sampling buffers use 64-bit float Fast and fluid control rate modulation 250 Unit generators in SuperCollider Hundreds more community contributed UGens The output file's sample rate is specified by sample-rate. The API (listed before the device name) needs to match between the input and the output, for example:o = Server.default.options; The format is either a string that specifies another jack client or a comma-separated list of jack ports.// connect first to input channels with system Code: Select all. The most recommended APIs are listed first. privacy statement. If this wasn't a requirement, we could run the command synchronously and capture the output, grepping for the warning: That would be enough to raise a sensible error and pass it onto the user. ServerOptions.outDevices; // output devices. You can see the fields for Default Input Device and Default Output Device above. "Built-in Output" Output Device Streams: 1 0 channels 2 SC_AudioDriver: sample rate = 44100.000000, driver's block size = 512 SuperCollider 3 server ready. You can change its name to something specific if desired, for example "InternalAndMOTU". This manual page documents briefly the scsynth command, the audio server of SuperCollider. 2010-06-05 fix Latch first sample output bug: if trigger > 0 initially, latch should not output 0 - jh 2010-08-10 refactored delay ugens, added audio-rate delay time input - tb 2010-09-04 fix firstArg behavior in BinaryOpUGen by a list GitHub is home to over 50 million developers working together to host and review code, manage projects, and build software together. You can do this in Audio MIDI Setup:"open -a 'Audio MIDI Setup'".unixCmd; // execute this to launch it, Sometimes you might want to use multiple devices for input or output. This can be set in Windows's Audio Control Panel. An integer representing the nominal sample rate of the server; in other words, the sample rate that was requested of the server when it was booted. Sample-Based Processing When you set the Input processing parameter to Elements as channels (sample based), the block treats an M-by-N matrix input as M*N independent channels, and upsamples each channel over time. http://whoshacks.blogspot.co.uk/2009/01/change-audio-devices-via-shell-script.html, https://developer.apple.com/library/mac/samplecode/HALExamples/Listings/ReadMe_txt.html, https://github.com/nagachika/ruby-coreaudio, https://github.com/supercollider/supercollider/blob/master/server/scsynth/SC_CoreAudio.cpp#L816, Fix mismatched input/output sample rates on OSX, Fatal Error During SuperCollider Server Boot, Detect non-matching rates and raise a clear error for the user, Change the sample rates to a matching value as part of the boot process, See if we can fix the issue in SuperCollider itself, taught Sonic Pi to attempt to auto-fix the sample rates by changing the system defaults, figured out a way of disabling scsynth's input and rate checker when we can't fix the rate mismatch. This can be fixed by opening Audio MIDI Setup in /Applications/Utilities and setting the sample rates to the same value for the input and output devices and then restarting SonicPi. ASIO drivers usually provide both inputs and outputs through a single device. After rebooting the server (Server.default.reboot) you should see in the post window that it now uses the Aggregate Device instead of system defaults: Note that when you specify a sound device through SuperCollider's ServerOptions, there is no need to use the aggregate device as the system's default device. Note - no rate control: SynthDef("myDef",{ arg out=0, buf; ) The people who wrote SuperCollider are much cleverer than me so I'm assuming there's a good reason as to why this remains unfixed. Windows is changing it to 48k for some reason... so I have to set Windows sampling rate to 44.1k to match my external audio usb interface (scarlett 18i20). I’ve got output device sample rate and bit depth set to 24-bit, 48000Hz in Windows control panel. We’ll occasionally send you account related emails. The aim is to get this fixed for the v2.0 release. The hardware has to support the sample rate that you choose.. verbosity ... -- Use the sample clock. 6: Private 1 7: Private 2 etc. By default the server will boot to your system's default audio devices. For functions that vary with time, let s(t) be a continuous function (or "signal") to be sampled, and let sampling be performed by measuring the value of the continuous function every T seconds, which is called the sampling interval or the sampling period. We use essential cookies to perform essential website functions, e.g. Here is a list of valid sample rate/bit rate … We use optional third-party analytics cookies to understand how you use GitHub.com so we can build better products. input and output branches) generally do not limit the sample rate, but to achieve this limit additional delay elements may have to be introduced into the nonrecursive branches. The following example comes from a MacBook Pro:Server.default.options.inDevice_("Built-in Microph");Server.default.options.outDevice_("Built-in Output"); In case of a dedicated audio interface, you might need to specify a single device, e.g.Server.default.options.device_("MOTU 828"); On macOS you c… (See ServerOptions for information on how to set the number of input and output channels, and busses) Read and write to bus indices ServerOptions cannot override JACK's selection of audio hardware. Supercollider computes control functions and other values at a lower rate than the sampling rate called the ``sub-frame'' size. Some of the bit rate and sample rate preferred are given below: For MP3format the Mp3 streaming bit rates and sample rate for stereo may range from 96–320 kbps/44.1–48KHz, the … It was surprisingly difficult to get good info on this. ServerOptions also allows you to specify other important parameters of the device - the sample rate and hardware buffer size. MME, WASAPI, ASIO etc.) Server.default.options.outDevice_("Built-in Output"); In case of a dedicated audio interface, you might need to specify a single device, e.g.Server.default.options.device_("MOTU 828"); On Windows and macOS you can programmatically obtain a list of available audio devices without booting the server:ServerOptions.devices; // all devices 1. SuperCollider has documentation in the HTML format available in the supercollider-doc package. SuperCollider has over 250 unit generators. Both input and output device should use the same sample rate (although some APIs might provide resampling). Output will be written to output-filename. Sample Rate Converter ändern die Samplefrequenz diskreter Zeitreihen. (BufRateScale scales the speed, in case the wavefile has a different sample rate to the server) Play a file straight off the disk Load it outside the synth so it can be reused. The following example comes from a MacBook Pro:Server.default.options.inDevice_("Built-in Microph"); // connect all output channels with system This will allow you edit your settings for … If you want to explicitly tell the server to use the internal soundcard, you need to specify both input and output device. Output will be written to output-filename. Any solution would mean using CoreAudio which is Apple's ObjectiveC library. The code appears to be loading CoreAudio anyway and performing the same kinds of queries in a more robust way than regex matching strings. Link to the line in the SuperCollider source where the input != output warning is raised: https://github.com/supercollider/supercollider/blob/master/server/scsynth/SC_CoreAudio.cpp#L816. Note that the sampling rate of the output file will be the same as that of the server app. If the server fails to boot due to sample rate mismatch, an error will be posted accordingly. After installing ASIO4ALL, it can be selected as follows (confirm in the post window when the server boots):Server.default.options.device = "ASIO : ASIO4ALL v2"; A reference for making audio device selection, /usr/local/share/SuperCollider/HelpSource/Reference/AudioDeviceSelection.schelp. Sign in I've been asked to investigate this issue and I'm documenting my findings here in case anyone runs into the issue. Valid inputs are in the range [0..(this.maxNumClients-1)]. Learn more, Fix boot on OSX where input sample rate != output sample rate. Already on GitHub? Introduction and Overview 2. You signed in with another tab or window. You should do this from an user account with administrator privileges. Supercollider Instruments can take their inputs from real-time MIDI controllers and can process audio files and live sound input. Server.default.reboot; You can programmatically obtain a list of available audio devices without booting the server:ServerOptions.devices; // all devices o.inDevice_("Windows WASAPI : Microphone"); 在Gnuradio中,我们可以看到很多模块中都有Sample rate 这个概念然后看到一个说明 Any processing block's 'Sample Rate' parameter is used for DSP calculation, not for controlling the rate at which samples are SC's syntax is an OO programming language, with a syntax mixture of C++ and Smalltalk. SuperCollider Workshop in Mexico City | Algorithmic and Stochastic Music The 2013 International SuperCollider Symposium, May 20-24, 2013 in Boulder, Colorado … The Initial conditions value can be an M i -by- N matrix containing one value for each channel or a scalar to be repeated across all elements of the M i -by- … By clicking “Sign up for GitHub”, you agree to our terms of service and The Upsample block resamples each channel of the Mi-by-N input at a rate L times higher than the input sample rate by inserting L-1 zeros between consecutive samples. You can also choose Enable or Disable from the menu, to keep the hardware sample rate … true -- Use the system clock. #2 Apr 12, 2014, 08:28 pm Last Edit : Apr 12, 2014, 08:43 pm by Norrlandssiesta Reason : 1 ServerOptions.inDevices; // input devices To create one, you have to open the Audio MIDI Setup application (in /Applications/Utilities). Partial device name matching is supported in Windows (though not in macOS). Fixes issue sonic-pi-net#87 SuperCollider can't boot if the sample rates do not match. The following list provides basic reference for different APIs. This helps to support sample-accurate scheduling; however, messaging latency from the SuperCollider language will drift over long periods of time. By default the server will boot to your system's default audio devices. I want the sample's amplitude and duration to be matched by the amplitude and release of the Env of a separate oscillator. PlayBuf.ar(numChannels,bufnum,rate,trigger,startPos,loop) numChannels - number of channels that the buffer will be. I think if we grepped for the waning above, then added a retry method to the boot_server_osx it might work transparently, at the cost of a longer boot time across OSX installs. "SC_JACK_DEFAULT_INPUTS".setenv("system:capture_1,system:capture_2"); It can however boot at the second time of asking if a sample rate is specified. We use optional third-party analytics cookies to understand how you use GitHub.com so we can build better products. The output file header-format should be one of: AIFF, WAVE, NeXT. Given the above values it should be trivial to run if output_sample_rate != input_sample_rate as part of the boot_server_osx method and either raise an error or issue a warning. Receiving notification messages from server localhost Shared memory server interface initialized You can always update your selection by clicking Cookie Preferences at the bottom of the page. If input-filename is the underscore character _, then no input file will be read. ServerOptions.outDevices; // output devices. If anyone knows more about this portion of the code and the reasons why the sample rates have to match I welcome enlightenment. Motivations for the design of Supercollider were the ability to realize sound processes that were different every time they played, write pieces describing ranges of possibilities rather than fixed entities and to facilitate live improvisation by a composer/performer.